Two theater recommendations
The Seafarer is a Christmas play by an Irish playwright. Given that, you know that there may not be a happy ending or a lot of tra-la-la. And there most likely will be consumption of alcohol. I hate stereotypes, but there you are. The Seafarer, by Conor McPherson, is a terrific production by Seanachai Theatre Company at The Den Theatre on Milwaukee Avenue. My Gapers Block review gives all the details. The play is running until January 5. I gave it a “highly recommended” for theatreinchicago.com, as did all the other reviewers.
That website, theatreinchicago.com, is a great resource for theatergoers. It compiles reviews of all current plays on Chicago, along with their ratings. Go to the website and click on Review Roundup in the left-hand column.
An Inspector Calls at Remy Bumppo Theatre seems at first like a smart drawing-room comedy. But J.B. Priestley’s play, written in 1945 for an English audience, soon turns into a tale about the 99 percent vs. the 1 percent. The 1 percent is the Birling family, wealthy through their manufacturing business. The 99 percent is represented by a young working woman who comes to a sad ending through actions, ultimately, taken by all the family members. (That’s a bit of a spoiler, so forget I said it.)
The Remy Bumppo cast is excellent and the production very gripping. Nick Sandys, as the mysterious inspector, plays the role very coolly. Calmly and without bluster, he terrorizes the Birlings in their dining room. Priestley was raised in a socialist family and was a writer of social conscience. As David Darlow says in his director’s note, Priestley “calls out to us to be accountable and responsible for our behavior and actions.” The play runs through January 12 in the upstairs mainstage at the Greenhouse Theater Center on Lincoln Ave.
Linguistic whine. Why can’t theater/theatre companies settle on one spelling, preferably the standard American spelling of theater, rather than the pretentious Anglified theatre. When I’m writing reviews for Gapers Block, it makes me crazy, going back and forth between the spellings, depending on whether I’m naming a theater company that persists in using that spelling (see above) or using the word generically as part of a sentence. Grrrrr.
Art with a message
The Art of Influence: Breaking Criminal Traditions. There’s a very interesting exhibit of art with a message at the IIT Chicago-Kent College of law, 565 W Adams St. I know, that’s an unusual place for an art exhibit, but it works. The exhibit is made up of 38 works in various media by 13 local and regional artists and represents metaphorically — in ways both beautiful and horrifying — the crimes perpetrated on women and girls in countries where those actions are considered part of the culture, rather than crimes. The purpose of the exhibit is to make an impact on those who may be influential in the future to help change the legal processes in those countries. My review for Gapers Block gives all the details and shows four images that illustrate the range of the work.
Films, live and DVDd
Blue Is the Warmest Color, directed by Abdellatif Kechiche. This controversial film about a young woman and her older woman lover in Lille, France, is beautifully filmed and to my mind, too long at 3 hours plus. The much-discussed sex scenes are quite beautiful and almost painterly in their composition. Most importantly, the film raises issues of male viewpoint, social class and life choice between the two lovers and their friends and families; those issues are fruitful discussion topics. The film is currently on view at local theaters.
A Constant Forge: The Life and Art of John Cassavetes (DVD). This very thorough documentary of Cassavetes’ work is well worth your time as an illustration of the auteur approach to independent filmmaking. It’s almost 3.5 hours long and no, this film wasn’t too long, although I did watch it in two sittings. It was made in 2000, about 11 years after his death at 59. The doc includes interviews with many of the actors he worked with: his wife Gena Rowland, Peter Falk, Ben Gazzara, Jon Voight and Seymour Cassel. The actors and others talked about his creativity, his honesty, and his lack of concern about making money. Many long film clips and film of scenes during the shooting process really bring Cassavetes’ approach to life.
My favorite Cassavetes quote: A reporter asks him if he’ll ever make a musical. He says he really wants to make only one musical, Dostoyevsky’s Crime and Punishment. My kind of guy.
Is the Man Who Is Tall Happy? An Animated Conversation with Noam Chomsky. Yes, I said Noam Chomsky. But this is the avuncular linguistics professor, not the radical political activist (though just a hint of that Chomsky shows occasionally). French director Michel Gondry (Eternal Sunshine of the Spotless Mind) created this animated documentary from interviews with Chomsky. He animates and illustrates Chomsky’s ideas by scrawling clever cartoons and charts.
The film title is taken from a sentence that Chomsky diagrams near the end of the film to show how children learn to use language.
The film runs at the Gene Siskel Film Center through tomorrow. I’ll watch it again on DVD when it’s available. There are places where I wanted to say, “Wait, let me replay that last bit because I didn’t quite get it.”
My coming attractions for this week
Inside Llewyn Davis. This is the Coen brothers film about the early years of the folk movement in Greenwich Village in the 1950s. It opens here Friday and I’ll be there. In addition to the film, Showtime network has been running a concert with a setlist of some of the music from the film, performed by other musicians. There’s also a Showtime making-of film called Inside Inside Llewyn Davis. And there’s the soundtrack on CD or download. I’ll review this film here soon.
Blood on the Cat’s Neck by Rainer Werner Fassbinder at Trap Door Theatre on Cortland. The always provocative and entertaining Trap Door group has been getting mixed reviews for this play; it’s Jeff recommended, however.
Burning Bluebeard by Jay Torrence presented by The Ruffians at Theater Wit. The play is about the tragic 1903 Iroquois Theatre fire in Chicago. This is a theater company I have not seen before and I’m looking forward to it.
And finally, I’ve gone another whole week without writing about Bruce Springsteen. But he has a new album coming out in January. You can be sure I’ll make up for my apparent neglect.