Movies, glorious movies: CIFF and a Jarmusch duoPosted: October 31, 2016 Filed under: Movies 3 Comments
October is Chicago International Film Festival month with its glorious menu of 140 films from 50 countries, most of which I wanted to see. However, life intrudes and so I measure out my life in coffee spoons, seeing eight or ten or twelve of them.
On top of that, I’m thrilled to see that Jim Jarmusch, one of my favorite film directors, has two new films out now. One of them is Paterson–a beautiful film about a busdriver/poet. That was a special feature of CIFF. In addition, his new music documentary, Gimme Danger, about Iggy Pop and the Stooges, was just released. So first of all, a Jarmusch recap.
I have always loved the cool and quirky plots and characters in Jarmusch films, as in Stranger Than Paradise, Down by Law and Mystery Train, three of his early films. But some of his recent films–including Paterson–are a little different. Paterson, written and directed by Jarmusch, is set in Paterson, New Jersey, and it’s the name of the leading character, the bus driver/poet, played superbly by Adam Driver. The city of Paterson is also a character; we become acquainted with it as Paterson walks to work and drives his bus route around the old industrial city. And we learn about some of Paterson’s famous local heroes, including the poet William Carlos Williams.
Our Paterson stops for lunch and writes poetry in his notebook at the magnificent Great Falls of the Passaic River. As he writes, we hear him read the lines and see them scrawled on screen in handwriting. The poetry scenes are very moving. His wife, charmingly played by Golshifteh Farahani, is an artist and artisan who turns everything into a black-and-white work of art, from cupcakes for his lunch to shower curtains and garments. Nothing much happens in Paterson. It’s a celebration of the small details of life and work.
This is the first Jarmusch documentary I’ve seen and it’s masterful. We meet Jim Osterberg, aka Iggy Pop, as an older, wry, self-reflective guy who meanders fondly through his childhood, growing up in Ann Arbor, and his punk rock past. Between the MC5 and the Stooges, the Detroit area was considered the epicenter of punk rock in the 1970s. The Iggy interviews are the main thread of the film, but it’s laced with elements of the script scrawled on the screen (like Paterson’s poems) plus animated scenes that recreate some of the adventures Iggy describes. (The use of animation is similar to what is done in Two Trains Runnin’, which I’ll describe below.) Great editing and massive amounts of great concert footage where we see Iggy perform, always shirtless and dervishlike. He tells how he invented and perfected the stage dive. Gimme Danger is well done and will be a treat for any ’70s rock and punk rock fans. As we watched the credits roll, my friend and I were in awe of the hundreds of clearances that Jarmusch’s lawyer had to obtain for the intellectual property, people and locations used.
These are the highlights of the other films I saw during CIFF. Watch for them. Most of them will appear in Chicago theaters in the next few months.
This is a Romanian film, directed by Cristii Puiu, and takes place almost entirely in a dark, crowded apartment in Bucharest, where a family celebrates the life of the deceased patriarch. The apartment has many rooms, opening on to a dark, central hall. People go in and out, doors open and close, conversations start and stop, in a realistic way throughout the three-hour film, which feels as if it’s filmed in real time. Various secrets emerge of family members’ pasts and the family tries to deal with the day. The film’s title does not have anything specific to do with the film or with anything in film history.
Two Trains Runnin’
This is a road documentary, directed by Sam Pollard, about two efforts in 1963-64 Mississippi. One is the freedom riders movement and the effort to register voters in Mississippi, which ended in violence and tragedy. The other is the search by two separate teams for a couple of old-time delta blues performers–Son House and Skip James. The film’s structure and storyline are straightforward, but the use of animation to show scenes where footage is not available is a nice touch. The addition of blues renditions by modern artists like Gary Clark Jr. adds a lot to the film, as does the narration by Common. The 82-minute film hasn’t been released yet. Pollard said in the Q&A following the film that he’s looking for a distributor. And yes, Pollard acknowledges that the title is the same as the title of an August Wilson play.
Un + Une
This is a French film, mostly set in India, directed by Claude Lelouch snd starring Jean Dujardin (you’ll remember him from The Artist). He plays a famous film composer who goes to India to score a Bollywood adaptation of Romeo and Juliet. Un + Une is a film about relationships broken and made and has a funky spiritual aura. The film is a spin on Lelouch’s 1966 film, Un Homme et Une Femme, also shown at the festival in a restored version. Un + Une is a lovely bit of romantic fluff with an edge of poignancy.
This French film directed by Paul Verhoeven stars the magnificent actor Isabelle Huppert, who often plays women in dicey situations (as in Ma Mere and The Piano Teacher). Her performance here is fine as the highly sexualized business executive, but this was a troubling film with some violent scenes of sexual assault. Not easy to watch at times.
This interesting documentary, directed by Charlie Siskel, is the story of William Powell, the man who wrote and published The Anarchist Cookbook at the age of 19 in 1970. Although Powell says the book is distributed without any effort on his part, it’s still used today by radicals and terrorists because of its detailed instructions on how to make bombs or how to turn a shotgun into a grenade launcher. Siskel interviews Powell, who was 65 at the time of the interviews and died in July just before the film’s release. Powell, rather disingenuously, denies any culpability for how the book has been used, says he doesn’t own a copy and hasn’t read it in years.
My Journey through French Cinema
This is a loving film memoir of director Bernard Tavernier’s career in the French film industry. In a beautifully edited film montage, he recalls the actors and directors he worked with and describes and analyzes their work and his experiences working with them. This three-hour documentary may not have a very wide release, but it’s a must for all lovers of the grand French cinema of the 20th century.
Finally, I have to write about this beautiful Japanese anime film that’s not part of the film festival. It’s set in 19th century Edo, before the city was named Tokyo. It’s an historical film, adapted from a manga series, about the daughter of a famous artist. The plot is kind of episodic and there’s not very much character development, but the film is beautifully drawn and every aspect of it is perfect, including the sound. Spoken in Japanese with subtitles. The film is running this week at the Gene Siskel Film Center.
Nancy: I don’t know how you do it but I’m glad you do. Frankenstein was unbelievably great! Be sure to see it if it’s still at the Film Center.
I’m excited to catch the Iggy Pop documentary for sure!
I think you’ll like it. Really well done.