Theater reviews and reveriesPosted: January 18, 2014
Chicago theaters are opening new shows in January and February, so after a slow December, I’ll be reviewing lots of theater again. Here are a few current highlights.
Our Country’s Good
This play by Shattered Globe Theatre is being presented at Theater Wit on Belmont. The historical subject matter of the play—prisoners and their English soldier-captors in the new Australian penal colony in 1788—is fascinating. The play by British playwright Timberlake Wertenbaker also involves a play within a play performed by the convicts. Many interesting possibilities, but the play ultimately is a bit flat. I was disappointed because Shattered Globe usually does sterling work. My Gapers Block review notes some of the problems.
It’s possible that the director could take notes from some of the reviews and snap up the production, however. The show runs thru February 22, so if the subject matter interests you, check it out. (Image courtesy Shattered Globe Theatre.)
Mr Shaw Goes to Hollywood
This is a smart, funny play with lots of celebrity name-dropping and appearances by GBS and Clark Gable. I haven’t posted my Gapers Block review yet, so I won’t go into more reviewer details here. But I will tell you it’s by MadKap Productions at the second floor studio at the Greenhouse Theater Center thru February 16.
Update: here’s my Gapers Block review. I gave it a Recommended rating for theatreinchicago.com.
Blood on the Cat’s Neck
This was another sparkling production by Trap Door Theatre, pulling out crazy visual magic on their tiny stage. The play is closed now, but I will only say: Watch for the next Trap Door production. They do plays mainly by European playwrights and they always have a political/social edge reminiscent of Bertolt Brecht and Max Frisch.
Blood on the Cat’s Neck is by Rainer Werner Fassbinder, a German film innovator who died of a drug overdose at 36 in 1982, ten years after writing this play. Blood plays out in three parts; it’s part monologue, part short scenes, and it ends with a mad party scene. The character we follow with most interest is Phoebe Zeitgeist (played by Simina Contras), a vampire from another planet. She’s completely naked throughout, except for a hat, gloves, heels and glittery red lipstick. She has a fixed smile and repeats the other characters’ slogans and complaints, without seeming to know what they mean. The party scene ends with Phoebe doing what vampires do – to each character in turn. (Image courtesy Trap Door Theatre.)
Invisible Man at Court Theatre and on the page
Court Theatre presented Ralph Ellison’s 1952 novel Invisible Man two years ago. The play was marvelous, compelling but confusing. I left feeling dissatisfied, wishing I had read the book before seeing the play. Now I’ve read the book (my book group had an excellent discussion on it) and I would love to see the play again. I think it would be more dramatic and meaningful.
Ellison is a lyrical writer, influenced by jazz as a musical form. He tells the story of a nameless young man who leaves a Southern black college to go to New York where he experiences northern racism and bigotry in the course of making a living and making human contact. He is a talented, even charismatic, speaker and becomes a spokesman for a white-led political organization called the Brotherhood where he is tasked to recruit in Harlem. Ellison was a Marxist for a while so the Brotherhood is probably patterned after the Communist party. The character makes us understand why he is invisible and how social and political racism affect him. The book is structured episodically and sometimes requires flipping back to reread an earlier section. Ellison’s writing is rewarding, however, and the book is a wonderful read.
Theatre in Chicago website
I want to recommend this website as a resource for Chicago theater-goers. It’s a very good way to find out what plays are showing now and what reviewers are saying. To see the compilations of reviews, go to the home page and select Review Round-Up in the left-hand column. My Gapers Block reviews are now appearing there.
There are sister sites in other cities: Minneapolis, Boston, DC, Seattle, LA, Atlanta and San Francisco. You can find links to those pages in the footer at theatreinchicago.com.
Read about the two plays I recommend here: The Seafarer runs until February 1. An Inspector Calls just closed.